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More than just selling you a single pedal or instrument we help you find your sound.
effects for sale
a one of a kind hand painted version of ZVEX’s heaviest-sounding pedal
The ultimate stacking preamp, vintage drive, booster, distortion, and much more
With the ability to handle up to 1700mA, the 1 SPOT can power your entire pedalboard.
Artificial Double Tracking Vintage Chamber Reverb True Stereo Chorus
an original fuzz boasting an EL5420csz quad op-amp that creates two different gated fuzz circuits
Create stereo volume swells or pan between two amps.
spaceships and assorted single-engined air transport
Soft Vintage Reverb – Keeley’s Recreation of Abbey Road Studio’s Echo Chamber
Flexible and unique analog delay.
90’s reissue of the late 70’s classic
Three selectable filter types (Low Pass, Band Pass, and Hi Pass) and a frequency range of 100 Hz – 4 kHz
more fun than you’re plain old reverb pedal
Enhanced Otherworldly Reverberator
vintage style, modulating delay with the flexibility to control 5 parameters via control voltage jacks.
accurately recreates the classic octave fuzz of the legendary Univox Super Fuzz
soften the mood with the syncopation of multi-tap delay and the
gentle embrace of ambient reverb.
A bold, rich spacious sound in a compact enclosure.
High quality, low noise, buffered ABY pedal.
Up to 600ms of analog delay in a compact enclosure.
the ability to alter the speed of your delay time on the fly from normal to fast or normal to slow.
Where huge chords, laden with harmonics, give way to undulating tremblings.
A combination echo and vintage style octave fuzz
Vibrato w/ 8 modulation modes: pitch-wobbles, pulsations, rapid trills, squiggles, whammy bar effects
Stereo Reverb & Delay with Tap Tempo. With Flexi-Switch™ Technology
Transform the tone of a guitar or keyboard into that of a convincing full body, electric organ
A Boston made, medium gain fuzz in the Tone Bender family
Belton based reverb inspired by vintage Ampegs
your favorite studio compressor in a footpedal
true high-fidelity compression and limiting
From subtle tube type grind, to all out crunch
Preamp and EQ with CabSim output. Massive Orange Tone
An EQ/Preamp/Tone Shaper with 144 possible combinations
Faithfully reproducing the original EP-3 specifications part for part except with a 24-bit high-fidelity digital delay line taking the place of the tape cartridge.
It straddles the line between amp-like grit and fuzzy saturation.
Bucket brigade analog delay pedal with tap tempo.
Two independent LFOs
a physical manifestation of the experience of consciousness
an analog guitar synthesizer with four octaves of square wave synth tones
Analog Octave Synth Pedal
joystick-controlled dual fuzz freakout
fractional bit reduction and sample rate modulation
Bit Crusher, Ring Modulator, Dual Phasor and other signal morphing effects
A modern, NOS take on the Range Master Treble Booster
emulating the sounds of the famed and elusive “oil can delay” units
Dirty, mean spirited and a blast to hang around with.
A distortion that re-shapes the body of the note, instead of coating it with a noisy fizz.
Fuzz w/ Momentary Delay
Compact, innovative volume pedal. No strings attached!
a Muff destroying Musket upgraded with a 4-stage germanium/silicon circuit
Jfet boosted op amp drive with MOSFET clipping
Collaboration between Fuzzrocious and Bongripper.
a massive amount of distortion with a very effective noise-silencing gate
a wide spectrum of “Telecaster-esque & Rangemaster inspired tones
a scrambled and clangy fuzz with pronounced upper octaving
transform your instrument into a convincing full body, electric organ or vintage electronic keyboard.
The infamous rodent reborn
Rodent inspired low to high gain distortion with overdrive capabilities
A super fat growling synth fuzz, ripping upper-octave riff-inspiring thick fuzz and chaotic inter-modulating sonic destruction
a transistor based overdrive for that ’70s recorded tone
Vibrato/chorus/wow and flutter simulator
Compressimiser is a studio quality compressor squeezed into a two-knob signal smashing machine
Studio grade, transparent compressor
Powerful, with Attack, Release, Auto Mode, Hard/Soft Knee
World-class reverb algorithms with a clean signal path
Inspired by 1980’s rack mount reverbs. With 8 algorithms, including gated, reverse, plate, and granular modes
clean, smooth compression with ultra low-noise and incredible transparency
From Rangemaster boost to vintage plexi overdrive.
An Expressive Double Filter Fuzz
a dual harmonic device comprised of fuzz and modulation circuits
Isolated power brick w/ power switching technology
A delay with it is pseudo-random scratched disc, stuttery, and glitchy behaviors.
2 reverbs on the fly!
Endless, rich echoes which get progressively darker and thicker
Tri-Mode Reverb: Pitch, Delay and Crush.
takes your input signal and “brutally amplifies it into a crushing square wave fuzz tone that is multiplied, divided, and modulated.”
PUMPING/THROBBING/BACKWARDS EFFECTS. TRIGGERED BY LIVE KICK DRUM OR TAP TEMPO
Dual High End DSP Delay/Reverb with Tap Temp
The sun’s out and the surf’s up, broham!
designed to bring one classic, and one rare sound (spring reverb and harmonic-vibrato) to whatever amp you’re using
From gross to gorgeous.
A massive fuzz that mauls everything in its path.
80’s digital delay
a dual transistor crumbling fuzz tone device
an analog voiced digital delay with modulation control
an “anti-modern” analog voiced digital delay
Advanced modulated delay & reverb machine.
the ultimate distortion pedal
Mic it. Loop it.
Serious looping, signature simplicity
Dual Track Looper w/ 7 Loop Effects
Super chorusing via four modulated delay lines.
a fuzzy feedback modulation machine
a double function expression pedal
Inspired by the iconic guitar tone of Steve Albini/Shellac
MONSTER DISTORTION FOR BASS GUITAR.
A phaser with a delay inside.
Throaty fuzz and singing sustain of the “Ram’s Head” Muff.
Like a fire in your belly!
540ms of delay time in a mini enclosure w/ Igor expression pad.
All the goodness of the Binson Echorec squeezed into a standard sized stompbox and with expanded capabilities
Spanning the gambit of known delay possibilities and beyond.
Live at the beach all year long with this chewy, bubbly, swirly fuzz-phaser.
A subtle & strange vibrato/tremolo.
From a slight sparkle to a nice, warm light OD.
Multi-Voice Instrument Synthesizer
Reverb with shimmery octave trails
Expands on the classic Super Fuzz by adding a parametric tone section.
Distortion with chorus or delay w/ selectable SERIES / PARALLEL operation
2 channel OD/Dist with High, Mid, Low cut or boost.
Here is just a small sampling of the music we’ve enjoyed this year.
Takes any signal you feed it and applies a blend of high and low pass filters to provide the user with 20,736 different tone stacks
recreates the legendary tone of the 1965 Fender Deluxe Reverb amp
From pitch shifting flanger to resonant metallic swooshes
A versatile 2-in-1 Overdrive & Boost w/ switchable order
From “mild” overdrive to “tube-amp-about-to-explode.”
From Tone Bender to Mind Splitter
inspired by William Basinski’s The Disintegration Loops
Aqua overdrive w/ push-pull compression
Foxx inspired fuzz with adjustable octave.
Ranging from warm overdrive to saturated fuzz
A raging beast of a fuzz.
Classic gnarly garage fuzz.
it may seem like a simple envelope filter, the FwonkBeta is actually a Purple Funk Generator
Designed to emulate the beautiful, amp like sine wave pulse.
Captures the regal and soaring tones of a Rangemaster Treble-Booster into a cranked up Vox AC30
A rich harmonic wall of distortion
Use as a tone filter, feedback eliminator, pickup simulator or level booster.
An overdrive, sub octave generator, and resonant filter with expression pedal input
This little guy doesn’t just climb the walls, he bounces off of them as well.
A ’70s amp in a box. Voiced on multiple vintage amplifiers, such as a 1972 ‘Pics Only’ Orange.
An electro-mechanical bowing device that produces string sounds such as cello, viola or violin.
An electro-mechanical bowing device that produces string sounds such as cello, viola or violin.
Three Mode Reverb: Compressed, Distorted and Flanged
Digital Models of 3 classics: Tube Spring, Plate 140, Hall 224
with a diverse feature set that can go from stationary and resonant to slow and mellow and on through fast and swirly.
With a couple of switch clicks go from warm break up to over-the-top gnarly grind and any/every combination in between.
based upon the GGG-tuned and Civil War versions of a muff fuzz
medium-gain device with the harmonic fullness and grind of a higher-gain pedal
A new world of synth inspired tones and textures with low pass, band pass, and high pass filtering.
8 harmony styles, 3 reverb types and adaptive tone.
From crisp, mid-driven 80’s metal, to scooped, modern down-tuned brutality, this little box of sonic mayhem does it all.
Inspired by Failure’s killer tone on songs like “Heliotropic” or “Another Space Song.”
HELLSTACHE v2 Collab. w/ God City)
Loosely based on the classic green Russian muff-style circuit.
Crossing the divide between distortion + overdrive,
Harmonically-rich saturation that retains note clarity and expressiveness. Designed for Bass.
a fantastically versatile fuzz/overdrive/distortion peda
a solid-state analog reverberator w/ a dark, fluttery decay
Mid 2000’s interpretation of the IC Big Muff
Achieve new haunting chorus sounds and pulsating vibrato.
A thick, massive fuzz descended from the Muff bloodline.
A return to the classic distortion: thick, punchy, riffy and rowdy.
generating predominantly even-order harmonic distortion, you will notice amazing clarity even with extreme settings.
A mix of the Tone Bender MkII fuzz with a Rat distortion to create something that sings like a fuzz but is tight like a distortion.
emulates the world’s most coveted electric pianos and more.
series / parallel true bypass effects mixer
The true heir to the Klon Centaur
A routing accessory for Daedalus reverb
smooth, comfortable transitions. small footprint
A vintage voiced reverb that fits somewhere between dirty sixties chambers, classic spring, and the big, ringing plate reverbs of days gone by.
Chasms are cleared, mountains sheared, glaciers calved, novæ birthed.
A 20-second analog phrase-sampling looper
Reinventing classic fuzzes and forging original designs
A sample Rate reducer
A gritty, Harmonic Tremolo with four Wave-Shape
Op-Amp distortion wit a broad frequency response which makes it work equally well with guitar, baritone guitar, and bass
Wall of Fuzz
switch pedals in and out of your signal path at will with a cross-fade “mix” option, as well as creating tremolo-like sounds with “chop” mode.
an extreme fuzz machine
12 ways to clip (distort/provide overdrive) your instrument or re-clip any effect that comes before it.
It flutters, zips, and can fly transparently through the air.
Envelope controlled overdrive
limited edition of a refined, yet raunchy overdrive
a refined, yet raunchy overdrive
you can go from a unique overdrive tone to a wild squishy fuzz
a sub-heavy silicon fuzz with some new twists
Organic sounding breakup that allows tweaking and shaping to boost your original tone
Mellotron emulation in pedal form.
A kill-switch with a memory
A Lo-Fi Reverb, Echo and Double-Tracker for capturing that classic Rock-and-Roll sound.
Inspired by the 1982 Bladerunner film soundtrack
A two channel, ultra high gain, filth machine with a tube (valve) in it!
Mic Mechanic 2 is a compact vocal toolbox in a easy-to-use pedal.
simple operation and stellar analog tone
faithful recreation of the classic ’80s analog flanger
saggy lo-fi, low-watt amp tones to clean chime-y hi-fi
modeled after the original late 70’s “Ensemble” chorus that started it all
A super-small polyphonic pitch-transposer, deliver one octave above and one octave below the root.
A dark echo with an FX loop
a transistor-based preamp pedal designed around the legendary Sunn Model T
captures the analog tones of some of the world’s classic octave dividers
an all discrete, FET based dirt machine
It’s delay. Into modulation. And it’s weird.
delivers six distinct high end reverb styles, each exquisitely crafted