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effects for sale
a one of a kind hand painted version of ZVEX’s heaviest-sounding pedal
The ultimate stacking preamp, vintage drive, booster, distortion, and much more
With the ability to handle up to 1700mA, the 1 SPOT can power your entire pedalboard.
Artificial Double Tracking Vintage Chamber Reverb True Stereo Chorus
an original fuzz boasting an EL5420csz quad op-amp that creates two different gated fuzz circuits
Create stereo volume swells or pan between two amps.
spaceships and assorted single-engined air transport
Soft Vintage Reverb – Keeley’s Recreation of Abbey Road Studio’s Echo Chamber
a dirt-simple power amp distortion device that’s based on the vibe of a cranked Sunn Model T
Flexible and unique analog delay.
Three selectable filter types (Low Pass, Band Pass, and Hi Pass) and a frequency range of 100 Hz – 4 kHz
more fun than you’re plain old reverb pedal
Enhanced Otherworldly Reverberator
vintage style, modulating delay with the flexibility to control 5 parameters via control voltage jacks.
accurately recreates the classic octave fuzz of the legendary Univox Super Fuzz
For funk, techno-rock, acid, fusion, shoe gaze, electro, synth-pop, noise-based music…
soften the mood with the syncopation of multi-tap delay and the
gentle embrace of ambient reverb.
A bold, rich spacious sound in a compact enclosure.
High quality, low noise, buffered ABY pedal.
Up to 600ms of analog delay in a compact enclosure.
the ability to alter the speed of your delay time on the fly from normal to fast or normal to slow.
Where huge chords, laden with harmonics, give way to undulating tremblings.
A combination echo and vintage style octave fuzz. A collaboration between Abominable Electronics and Ryan Patterson of the band Coliseum. This pedal was part of a pre-order package for the band’s album Anxiety’s Kiss.
Using a short delay line with eight different modulation modes to deliver pitch-wobbles, pulsations, rapid trills, squiggles, whammy bar wiggles.
polyphonic pitch arpeggiator
an all-discrete tone sculpting preamp booster
3 Mode Digital Revrb (Plate, Hall, Room)
Stereo Reverb & Delay with Tap Tempo. With Flexi-Switch™ Technology
Transform the tone of a guitar or keyboard into that of a convincing full body, electric organ
A Boston made, medium gain fuzz in the Tone Bender family
Belton based reverb inspired by vintage Ampegs
your favorite studio compressor in a footpedal
a collaboration with Fuzzrocious
true high-fidelity compression and limiting
From barely perceptible tube type grind, to all out
Preamp pedal with fully parametric mid controls, regular and CabSim output, clean boost function & highly transparent buffered bypass.
An EQ/Preamp/Tone Shaper with 144 possible combinations
Faithfully reproducing the original EP-3 specifications part for part except with a 24-bit high-fidelity digital delay line taking the place of the tape cartridge.
It straddles the line between amp-like grit and fuzzy saturation.
Bucket brigade analog delay pedal with tap tempo.
HUGE Sounding fuzz hand made in Boston. Based in the IC Muff.
Two independent LFOs, one fast, one slow you can create some interesting modulations.
a physical manifestation of the experience of consciousness
an analog guitar synthesizer with four octaves of square wave synth tones
Analog Octave Synth Pedal
joystick-controlled dual fuzz freakout
fractional bit reduction and sample rate modulation
Bit Crusher, Ring Modulator, Dual Phasor and other signal morphing effects
a transparent Mosfet-based booster
emulating the sounds of the famed and elusive “oil can delay” units
Dirty, mean spirited and a blast to hang around with.
A distortion that re-shapes the body of the note, instead of coating it with a noisy fizz.
BLAST FURNACE is a collaboration with Lehigh Mining & Navigation, an advertising/public relations group based out of Bethlehem, PA. We brought our minds together to create an original gated fuzz touting a big, open sound free of tone tampering. But […]
Using a slide potentiometer and a direct shaft drive, there is no string, yet a wide range of motion with a smooth volume curve.
a Muff destroying Musket upgraded with a 4-stage germanium/silicon circuit
Collaboration between Fuzzrocious and Bongripper.
Full mode is warm with a lot of body and low end. Treble mode is a resonant, treble booster with a “cocked wah” tone.
a massive amount of distortion with a very effective noise-silencing gate
a wide spectrum of “Telecaster-esque & Rangemaster inspired tones
a scrambled and clangy fuzz with pronounced upper octaving
transform your instrument into a convincing full body, electric organ or vintage electronic keyboard.
takes you from crisp slap echoes to epic, Gilmour-esque delays
The infamous rodent reborn
The Cat Tail is a low to high gain distortion with overdrive capabilities (some even say at high gain settings, it sounds like a fuzz). This circuit is based on a well-loved, classic distortion that make a clean amp dirty […]
A super fat growling synth fuzz, ripping upper-octave riff-inspiring thick fuzz and chaotic inter-modulating sonic destruction
a transistor based overdrive for that ’70s recorded tone
Vibrato/chorus/wow and flutter simulator
a single-ended “Class A” preamp to achieve the warmest possible tone
Delivers a grittier, more bass heavy tone with more crunch that the standard Hoof.
Parallel extra habanero fuzz
Compressimiser is a studio quality compressor squeezed into a two-knob signal smashing machine
Studio grade, transparent compressor
Powerful, with Attack, Release, Auto Mode, Hard/Soft Knee
World-class reverb algorithms with a clean signal path
Inspired by 1980’s rack mount reverbs. With 8 algorithms, including gated, reverse, plate, and granular modes
clean, smooth compression with ultra low-noise and incredible transparency
From Rangemaster boost to vintage plexi overdrive.
An Expressive Double Filter Fuzz
a dual harmonic device comprised of fuzz and modulation circuits
Isolated power brick w/ power switching technology
A delay with it is pseudo-random scratched disc, stuttery, and glitchy behaviors.
2 reverbs on the fly!
Endless, rich echoes which get progressively darker and thicker
Tri-Mode Reverb: Pitch, Delay and Crush.
takes your input signal and “brutally amplifies it into a crushing square wave fuzz tone that is multiplied, divided, and modulated.”
PUMPING/THROBBING/BACKWARDS EFFECTS. TRIGGERED BY LIVE KICK DRUM OR TAP TEMPO
Dual High End DSP Delay/Reverb with Tap Temp
The sun’s out and the surf’s up, broham!
designed to bring one classic, and one rare sound (spring reverb and harmonic-vibrato) to whatever amp you’re using
From gross to gorgeous.
a low to medium-high gain drive with distortion-like capabilities
Optical Vibe Machine
A massive fuzz that mauls everything in its path.
I love these Digitech PDS delays. I have played several of these to their actual death over the years. Mostly because of the violent improvisational style of my early band not through any fault of their construction. So excited to […]
a dual transistor crumbling fuzz tone device
an analog voiced digital delay with modulation control
an “anti-modern” analog voiced digital delay
Advanced modulated delay & reverb machine.
Crystalline digital delays up to 1.5 seconds. Luscious reverbs that seem to last forever
the ultimate distortion pedal
Mic it. Loop it.
Serious looping, signature simplicity
Dual Track Looper w/ 7 Loop Effects
Super chorusing via four modulated delay lines.
a fuzzy feedback modulation machine
a double function expression pedal
Inspired by the iconic guitar tone of Steve Albini/Shellac
All the great tone of the big boy Palisades overdrive but with a simplified interface and a smaller footprint
MONSTER DISTORTION FOR BASS GUITAR.
A phaser with a delay inside.
Throaty fuzz and singing sustain of the “Ram’s Head” Muff.
Like a fire in your belly!
540ms of delay time in a mini enclosure w/ Igor expression pad.
All the goodness of the Binson Echorec squeezed into a standard sized stompbox and with expanded capabilities
Spanning the gambit of known delay possibilities and beyond.
A subtle & strange vibrato/tremolo.
From a slight sparkle to a nice, warm light OD.
Multi-Voice Instrument Synthesizer
BC183 silicon fuzz based on Eric Johnson’s favorite Fuzz Face
A rude, spongy fuzz tone with plenty of sag and a blossoming attack.
Reverb with shimmery octave trails
Expands on the classic Super Fuzz by adding a parametric tone section.
Distortion with chorus or delay w/ selectable SERIES / PARALLEL operation
2 channel OD/Dist with High, Mid, Low cut or boost.
Here is just a small sampling of the music we’ve enjoyed this year.
Takes any signal you feed it and applies a blend of high and low pass filters to provide the user with 20,736 different tone stacks
recreates the legendary tone of the 1965 Fender Deluxe Reverb amp
the hydra-headed dragon of handmade fuzzboxes, boosts & overdrives
From pitch shifting flanger to resonant metallic swooshes
A versatile 2-in-1 Overdrive & Boost w/ switchable order
From “mild” overdrive to “tube-amp-about-to-explode.”
From Tone Bender to Mind Splitter
inspired by William Basinski’s The Disintegration Loops
When I picked this up in 1999 I had already utilized a few different fuzzes and distortions. But I needed something that bridged the gap from the amp’s base tone and the giant gain/volume assault of the Rat and the […]
Foxx inspired fuzz with adjustable octave.
Ranging from warm overdrive to saturated fuzz
New take on the vintage Ace Tone Fuzz Master FM-2/Super Fuzz octave fuzz.
A raging beast of a fuzz.
Classic gnarly garage fuzz.
it may seem like a simple envelope filter, the FwonkBeta is actually a Purple Funk Generator
Designed to emulate the beautiful, amp like sine wave pulse.
Captures the regal and soaring tones of a Rangemaster Treble-Booster into a cranked up Vox AC30
A rich harmonic wall of distortion
Use as a tone filter, feedback eliminator, pickup simulator or level booster.
An overdrive, sub octave generator, and resonant filter with expression pedal input
This little guy doesn’t just climb the walls, he bounces off of them as well.
A ’70s amp in a box. Voiced on multiple vintage amplifiers, such as a 1972 ‘Pics Only’ Orange.
Vintage Voiced Reverb
An electro-mechanical bowing device that produces string sounds such as cello, viola or violin.
An electro-mechanical bowing device that produces string sounds such as cello, viola or violin.
Three Mode Reverb: Compressed, Distorted and Flanged
with a diverse feature set that can go from stationary and resonant to slow and mellow and on through fast and swirly.
With a couple of switch clicks go from warm break up to over-the-top gnarly grind and any/every combination in between.
based upon the GGG-tuned and Civil War versions of a muff fuzz
medium-gain device with the harmonic fullness and grind of a higher-gain pedal
A new world of synth inspired tones and textures with low pass, band pass, and high pass filtering.
8 harmony styles, 3 reverb types and adaptive tone.
From crisp, mid-driven 80’s metal, to scooped, modern down-tuned brutality, this little box of sonic mayhem does it all.
Inspired by Failure’s killer tone on songs like “Heliotropic” or “Another Space Song.”
an easy to use germanium/silicon hybrid muff style fuzz
Loosely based on the classic green Russian muff-style circuit.
Crossing the divide between distortion + overdrive,
a hard and choppy tremolo based on the Vox Repeat Percussion pedal
Harmonically-rich saturation that retains note clarity and expressiveness. Designed for Bass.
a fantastically versatile fuzz/overdrive/distortion peda
a solid-state analog reverberator w/ a dark, fluttery decay
Low gain overdrive handmade in Boston
The world’s most musical looping pedal.
Achieve new haunting chorus sounds and pulsating vibrato.
a dual resonant filter controlled by a single LFO that sweeps each filter in opposite directions.
A thick, massive fuzz descended from the Muff bloodline.
A return to the classic distortion: thick, punchy, riffy and rowdy.
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generating predominantly even-order harmonic distortion, you will notice amazing clarity even with extreme settings.
A mix of the Tone Bender MkII fuzz with a Rat distortion to create something that sings like a fuzz but is tight like a distortion.
emulates the world’s most coveted electric pianos and more.
series / parallel true bypass effects mixer
The true heir to the Klon Centaur
A routing accessory for Daedalus reverb
smooth, comfortable transitions. small footprint
A vintage voiced reverb that fits somewhere between dirty sixties chambers, classic spring, and the big, ringing plate reverbs of days gone by.
Honoring the reverb-drenched tones of classic psych rock.
Chasms are cleared, mountains sheared, glaciers calved, novæ birthed.
COMPACT, HIGH-DENSITY PorkolatOR
A 20-second analog phrase-sampling looper
A sample Rate reducer
A gritty, Harmonic Tremolo with four Wave-Shape
Boston based Electronic Audio Experiments has forged the Longsword. An op-amp based distortion pedal that takes the topology in a novel direction. Cascaded gain stages allow for tones ranging from clean boost to dynamic distortion to massively clipped fuzz, all […]
Op-Amp distortion wit a broad frequency response which makes it work equally well with guitar, baritone guitar, and bass
switch pedals in and out of your signal path at will with a cross-fade “mix” option, as well as creating tremolo-like sounds with “chop” mode.
an extreme fuzz machine
12 ways to clip (distort/provide overdrive) your instrument or re-clip any effect that comes before it.
It flutters, zips, and can fly transparently through the air.